Art for History's Sake

August 16 - November 30, 2008
Piper Memorial Wing

from the Witte collection

Crockett Street Looking West, San Antonio de Bexar, 1857
Hermann Lungkwitz
Oil on canvas mounted on panel
Witte Museum Collection, purchased with Hearst Foundation Funds

Chili Queens at the Alamo
Julian Onderdonk
Oil on canvas mounted on panel
Witte Museum Collection, purchased with funds provided by the Lena and Albert Hirschfeld Endowment

Ox Cart Returning from Town, 1887
Theodore Gentilz
Oil on canvas
Witte Museum Collection, purchased with Witte Picture Fund

The Terry Rangers, ca. 1862
Carl G. von Iwonski
Oil on canvas
Gift of Ernest Muezenberger

This exhibit is included free with museum admission.

Morning Glory by Mary Motz Wills
In the Introduction to the book Art for History's Sake: The Texas Collection of the Witte Museum, William Goetzmann writes, "Few collections illustrate images of ethnicity, common people, religious diversity, class structure, and female achievement like the Witte collection."  While not composed exclusively of historical images, the exhibit will chronicle San Antonio and Texas history through its scenes and changing styles.

Leyendecker's Farm-Haus bei Fredericksburg by Louis Hoppe

Street Scene in San Antonio by Boyer Gonzales

St. Mary's College by Theodore Gentilz

Theater at the Old Casino Club in San Antonio by Carl G. Iwonski


Bush Morning Glory, 1935-1955
Mary Motz Wills
Watercolor on paper
Witte Museum Collection

Joh: Leyendecker's Farm-haus Bei Frelsburg, 1860s
Louis Hoppe
Watercolor on paper
Witte Museum Collection, Gift of the Estate of Laura Leyendecker & Emil J. Brune.

Street Scene in San Antonio, 1938
Boyer Gonzalez
Oil on canvas
Witte Museum Collection, Gift of Eric Steinfeldt

St. Mary's College, 1882
Jean Louis Theodore Gentilz
Watercolor on paper
Witte Museum Collection, Purchased with Witte Picture Funds

Theatre at the Old Casino Club, San Antonio, Texas, ca. 1858
Carl G. Von Iwonski
Oil on canvas
Witte Museum Collection, Gift of H. Stirling Watlington in memory of Bertha Griesenbeck

Curated by Kate Sheerin and Bruce Shackelford.